...GLASS MAGAZINE...

...i love this shoot for glass magazine which i worked on with its beauty director kim brown...i work with kim regularly and even worked with her on my very first shoot as a prop stylist...


...kim and the photographer jason hetherington wanted an modern art deco vibe for the shoot, so i created simple shaped set pieces and then covered them in glitter...i love a full glitter explosion and would probably use it every week, in this case the sparkling finishes really fitted with the look of the shoot and added an extra element...


...i could then play around with the shapes to create graphic compositions on set...as the set doesn't need to be huge for a beauty shoot there is more freedom and flexibility with ideas and of course the budget...


...see the full shoot here...photographer jason hetherington...beauty director kim brown...hair gow tanaka...stylist sam ranger...set design laura timmons...







...me in the fluffy fendi hat...perks of the job...

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Laura Timmons is an enthusiastic, hardworking and imaginative Prop Stylist and Maker, with a passion for aesthetics and a fantastic eye for detail. With a background in Set Design for the fashion industry, Laura has extensive experience in Prop Making, Buying and Set Dressing for photo shoots and events. Laura spent two and half years assisting Set Designers Andy Hillman, Anna Burns and Rhea Thierstein, regularly working on shoots for photographers Tim Walker and Miles Aldridge, As well as many high-profile editorial and advertising clients, where she developed invaluable, fast-thinking, problem solving skills. As an experienced professional, she is accustomed to working with specific briefs and to tight deadlines, delivering what the client wants, as well as interpreting the ideas of others and developing creative concepts. In addition to her varied work within Set Design, Laura has excellent drawing skills and a real passion for illustration. Many of her illustrations having been featured on Pippa Jameson's popular interiors blog, as well as being privately commissioned.